Oil On Canvas, Real Flavor of Old Masters

All Gentile da Fabriano 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
33340  
A Miracle of St Nicholas, Gentile da Fabriano
 
 A Miracle of St Nicholas   mk86 1425 Tempera on wood 35x36cm Washington,National Gallery of Art
21173  
A Mriacle of St Nicholas (mk080, Gentile da Fabriano
 
 A Mriacle of St Nicholas (mk080   1425 Tempera on wood 35x36cm Washington,National Gallery of Art
33244  
Adoration of the Magi, Gentile da Fabriano
 
 Adoration of the Magi   mk83 1423 Tempera on wood 173x220cm
33342  
Adoration of the Magi, Gentile da Fabriano
 
 Adoration of the Magi   mk86 1423 Tempera on wood 303x282cm Florence,Galleria Degli Uffizi.
40167  
Adoration of the Magi, Gentile da Fabriano
 
 Adoration of the Magi   mk156 1423 Tempera on panel 303x282cm
58762  
Adoration of the Magi, Gentile da Fabriano
 
 Adoration of the Magi   Adoration of the Magi (1423).
21175  
Adoration of the Magi (mk08), Gentile da Fabriano
 
 Adoration of the Magi (mk08)   1423 Tempera on wood. 303x282cm Florence,Galleria degli Uffizi
30405  
Adoration of the Magi and Other Scenes, Gentile da Fabriano
 
 Adoration of the Magi and Other Scenes   mk68 Tempera on wood Florence Uffizi,
53659  
baby Jesus in the temple frambares, Gentile da Fabriano
 
 baby Jesus in the temple frambares   mk234 1423 25x65cm
31717  
Madonna and child,with sts.lawrence and julian, Gentile da Fabriano
 
 Madonna and child,with sts.lawrence and julian   mk76 Painted c.1423-25 Tempera on panel 35 3/4x18 1/2in
31291  
Madonna with the Child, Gentile da Fabriano
 
 Madonna with the Child   1425 Fresco Duomo, Orvieto
77882  
Quaratesi-Polyptychon, funf Predellatafeln mit Szenen aus dem Leben des Hl. Nikolaus von Bari, Gentile da Fabriano
 
 Quaratesi-Polyptychon, funf Predellatafeln mit Szenen aus dem Leben des Hl. Nikolaus von Bari   c. 1425 Oil on panel 30 ?? 62 cm cjr
29727  
SS.Mary Magdalen,Nicholas,john the Baptist and George, Gentile da Fabriano
 
 SS.Mary Magdalen,Nicholas,john the Baptist and George   mk67 Tempera on panel 37x22 7/16in Uffizi,Gallery
33341  
St Nicholas and the Three Gold Balls, Gentile da Fabriano
 
 St Nicholas and the Three Gold Balls   mk86 1425 Tempera on wood 36x36 Rome,Musei Vaticani, Pinacoteca Vaticana
21174  
St Nicholas and the Three Gold Balls (mk08), Gentile da Fabriano
 
 St Nicholas and the Three Gold Balls (mk08)   1425 Tempera on wood 36x36cm Rome,Musei Vaticani Pinacoteca Vatiocana
28909  
The Adoration of the Magi, Gentile da Fabriano
 
 The Adoration of the Magi   mk65 Tempera on panel, 68 1/8x86 5/8in Uffizi,
42615  
The adoration of the Ways, Gentile da Fabriano
 
 The adoration of the Ways   MK169 1423 Panel 300x282cm Uffizi, Florence
19991  
The Presentation at the Temple (mk05), Gentile da Fabriano
 
 The Presentation at the Temple (mk05)   Wood 10 1/2 x 26''(26.5 x 66 cm)From the predella of the altarpiece in the Strozzi Chapel at the Church of Santa Trinita in Florence entered the Louvre in 1812
53658  
The three wise man, Gentile da Fabriano
 
 The three wise man   mk234 completed 1423 300x282cm

Gentile da Fabriano
Fabriano ca 1370-Rome 1427 Italian painter, one of the outstanding exponents of the elegant international Gothic style. In 1409 he worked in the Doge's Palace, Venice, painting historical frescoes that subsequently perished. In 1422 he was in Florence where he created his most celebrated painting, the resplendent Strozzi altarpiece (Uffizi). Gentile painted in the spirit and the manner of the older school, with glowing color and lavish use of gilt, thereby achieving a jewellike, courtly style. By 1425 he had responded to the new Florentine realism. His refined forms yielded to a sturdier rendering of figures in the Quaratesi altarpiece (panels are now in the Uffizi; Vatican; National Gall., London; and National Gall. of Art, Washington, D.C.). From 1425 until his death he worked in Siena, Orvieto, and Rome. Gentile died in Rome before the completion of the frescoes of St. John the Baptist in the Lateran Basilica.



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